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What is home anyway? It's the four walls around you, whatever they are. A house, an apartment, a telephone booth (if you're Superman). It's the place where you can scratch when it itches, wherever that is.
Do you ever try to accomplish something right before the buzzer? JUST before you have to stop, do you rush out there and try for one more? I do and always have. Right now, before the massive Paper Influx begins, I am trying to suck down as many pleasurable novels as I can.
That's right, dear reader, and every teacher and every student in America knows why. IT'S A FREAKING DAY OFF, THAT'S WHY.
Know what I'm sayin'? I of course do not have the six-pack abs. Is that what those are? My ribs can't exactly be made out. Let's not go there. Next week the first papers come in and I will more closely resemble this guy.
I wonder what the most prevalent error will be. Will it be "women," as in "a women walked into the room" or "she was a foolish women." Perhaps it will be something erudite, such as "if you believe that, you believe in the Eastern Bunny" [note: he can't be everywhere, you know]. Hopefully, no one will speak of the Noble Prize.
Toni McGee Causey has written a book I look forward to reading. You've got to love someone who has as bad a day as this gal has in Bobbie Faye's Very (very, very, very) Bad Day . Here's a taste of how it goes.
Bobbie Faye Sumrall is a dead-broke Cajun living in a broken-down trailer in Lake Charles, Louisiana. When criminals demand Bobbie Faye's Contraband Queen tiara-- the only thing of her mama's she inherited-- in exchange for her good-for-nothing brother, Bobbie Faye has to outwit the police, organized crime, former boyfriends, and a hostage she never intended to take (but who turns out to be damn sexy), in order to rescue her brother, keep custody of her niece, and get back in time to take her place as Queen in the Lake Charles Contraband Festival (think Mardi Gras, with more drinking and pirates). Luckily, she knows how to handle guns, outwit angry mama bears, drive a speedboat, and get herself out of (and into) almost every kind of trouble. If only that pesky state police detective (who also happens to be a pissed off ex-boyfriend) would stay out of her way . . .
And here's a little bit about Toni:
Toni McGee Causey lives in Baton Rouge with her husband and two sons; a Louisiana native (and Cajun), she has nearly completed a double masters at LSU. She's placed in top tier screenwriting contests, published many non-fiction articles and edited a popular regional magazine. To support her writing addiction, she and her husband Carl run their own civil construction company. Bobbie Faye is the first in a three-book deal with St. Martin's press on a pre-empt; the chaotic, rollercoaster thriller world of Bobbie Faye owes much to Toni having way more experience than she'd like to own up to in the world of trouble-shooting, disaster-prevention and survival.
And take a look at these reviews, folks.
“Causey doesn't miss a beat in this wonderful, wacky celebration of Southern eccentricity.”
-- Publishers Weekly (starred review)
“This hyperpaced, screwball action/adventure with one unforgettable heroine and two sexy heroes is side-splittingly hilarious. Causey, a Cajun and a Louisiana native, reveals a flair for comedy in this uproarious debut novel.”
--Library Journal (starred review)
“Move over Stephanie and Bubbles you've got major competition tracking north from the Deep South. Bobby Faye might have had a very bad day but Toni McGee Causey is going to have a very good year. With Causey's debut novel (A Griffin Trade Paperback Original), Bobbie Faye's Very (very, very, very) Bad Day, Bobbie Faye Sumrall is out to capture both the hearts of spunky women everywhere and the minds of men ready for a challenge.”
-- Deadly Pleasures
“It's about time women had an Amazon to look up to… Bobbie Faye is a hurricane-force heroine who makes this novel the perfect adventure yarn.”
-- The Tampa Tribune
“This is an action comedy novel that will delight fans of the Ya Ya/Sweet Potato Queens genre. The pacing of the book will take your breath away.”
-- The Advocate
“If you like Janet Evanovich, if you’re looking for a lot of unlikely action (when is the last time someone you know escaped a burning boat by lassoing an oil rig?), or if you’re simply having a bad day, go out and find Bobbie Faye. She’s an outrageous hoot.”
-- The Times Picayune
“There are many things to love about this book --- the plot, the pacing, the dialogue --- but my own favorite element is the characterization… But if you want a short description of this great novel, think Die Hard in the swamp. And Bobbie Faye? She's a titanium magnolia.”
-- Bookreporter.com
A bientot
love,becky




Well, yes, my character in this particular script does have a lot of lines (which, by "Elevator" standards is, like, four), but that wasn't what Woody was referring to. The opening line of the script read:
"PAUL is in the elevator, NAKED as the day he was born."
Now, I make it a point in my life to be naked as little as possible. Anybody who's seen me naked can relate. But, somehow, I convinced myself that my being ass naked was for the good of the show. Never one to turn away when duty calls, I read the rest of the script, accepted the role of "Paul the Naked Guy", and began bracing myself for the cruel anonymous YouTube comments about my body.
Here's how "Elevator" shoots go. We film a batch, (about ten, give or take), usually on a Friday. We'll bring in whoever the script calls for that isn't around the office (Harold the Janitor or HR Judy, or whatever special guest we may want, etc.), and we'll just shoot one after the other. We'll take a minimum of 4 or 5 takes of each episode, unless one is so spot on that we feel comfortable with it; in that case, we'll film one more just to "be safe", and we move on. When it comes time to film an episode that you're not in, you typically go grab a snack or a water and just hang out until you get called to set. Maybe one or two people stick around to watch the shoot. However, when it was my turn to be naked, the house was packed. Seriously. Standing room only. There were food vendors in the crowd. I saw people doing "The Wave". I can't explain this phenomenon other than that people purely enjoy witnessing me being uncomfortable. I don't really know why. Hopefully this watchability translates well on screen, which is more than I can hope for my silver dollar sized nipples.
I can't tell you what happens in this particular episode (which will be uploaded this week)-- you'll have to watch for yourself. And when it comes time to comment... please be gentle.
Also, this post has a lot of parentheses.
Well, yes, my character in this particular script does have a lot of lines (which, by "Elevator" standards is, like, four), but that wasn't what Woody was referring to. The opening line of the script read:
"PAUL is in the elevator, NAKED as the day he was born."
Now, I make it a point in my life to be naked as little as possible. Anybody who's seen me naked can relate. But, somehow, I convinced myself that my being ass naked was for the good of the show. Never one to turn away when duty calls, I read the rest of the script, accepted the role of "Paul the Naked Guy", and began bracing myself for the cruel anonymous YouTube comments about my body.
Here's how "Elevator" shoots go. We film a batch, (about ten, give or take), usually on a Friday. We'll bring in whoever the script calls for that isn't around the office (Harold the Janitor or HR Judy, or whatever special guest we may want, etc.), and we'll just shoot one after the other. We'll take a minimum of 4 or 5 takes of each episode, unless one is so spot on that we feel comfortable with it; in that case, we'll film one more just to "be safe", and we move on. When it comes time to film an episode that you're not in, you typically go grab a snack or a water and just hang out until you get called to set. Maybe one or two people stick around to watch the shoot. However, when it was my turn to be naked, the house was packed. Seriously. Standing room only. There were food vendors in the crowd. I saw people doing "The Wave". I can't explain this phenomenon other than that people purely enjoy witnessing me being uncomfortable. I don't really know why. Hopefully this watchability translates well on screen, which is more than I can hope for my silver dollar sized nipples.
I can't tell you what happens in this particular episode (which will be uploaded this week)-- you'll have to watch for yourself. And when it comes time to comment... please be gentle.
Also, this post has a lot of parentheses.



If you haven’t seen Spanish Love Song yet, I’d like to call you an idiot, but I won’t in fear you’ll take offense and not come to our site anymore.
If you haven’t seen Spanish Love Song yet, I’d like to call you an idiot, but I won’t in fear you’ll take offense and not come to our site anymore.


Hey guys! Happy September! I know a lot of you have heard that “Elevator” will no longer be daily. Starting this month, it’ll be going back to the good ol’ fashioned once a week routine. I know it’s a bummer. Typically, when things go from happening daily to once a week, it’s never something to be happy about. Like eating, for instance. You’d die. Or, like, showering. If you showered once a week, everybody would hate you. Or if you were gettin’ some every day, and all of a sudden she’s like “Once a week until we get engaged” and now it’s zero times a week because you’re just not ready for that kind of commitment, okay, Andrea? You’re always pressuring me! Stop pressuring me!
Hey guys! Happy September! I know a lot of you have heard that “Elevator” will no longer be daily. Starting this month, it’ll be going back to the good ol’ fashioned once a week routine. I know it’s a bummer. Typically, when things go from happening daily to once a week, it’s never something to be happy about. Like eating, for instance. You’d die. Or, like, showering. If you showered once a week, everybody would hate you. Or if you were gettin’ some every day, and all of a sudden she’s like “Once a week until we get engaged” and now it’s zero times a week because you’re just not ready for that kind of commitment, okay, Andrea? You’re always pressuring me! Stop pressuring me!